Ingrid Drese

(born in 1957, in Amel, B    elgium, resident in Brussels), composer. She first studied piano, chamber music, music history, and music analysis, before signing up for electroacoustic composition program at the Royal Conservatory of Music (Rcm) in Brussels. Then for the same program at the Rcm in Mons, in Annette Vande Gorne’s classroom, where she finished with a Priz superieur in 1998. She helped develop and implement a cursus in Acousmatic music Composition (1996) at Acadèmie de musique de Soignies (Belgium) and taught acousmatic (Traitè des objets musicaux et perception) at the RCM in Mons (Belgium) in 2004-2005. Although she focuses her composition work on concert music , she also likes to collaborate on stage projects, fims, and music videos. Several majors institutions have commissioned works from her, including Ina-GRM (Paris, France) and Musiques & Recherches (Ohain, Belgium), IMEB (Bourges, France, ARS Musica. Brussels. Her works have been programmed in Belgian and foreign Festivals, and have won several competitions: Electroacoustic Composition Award, Royal Academy of Belgium (1997); Noroit Lèonce Petitot International Award (Arras, France, 1998): Mètamorphose Biennial Acosumatic Composition Competition (Brussels, Belgium, 2000). Invited by the Groupe de musique experimentale in Marseille (GMEM, France), she also took part a Quebec- Belgium exchange program in 1996, the Futura Festival in Crest (France) in August 2001, the Rien à voir (11) festival in Montrea (Quèbec) in April 2002, and the Ars Musica Festival in Brussels in April 2008. She is Professor in Acousmatic Music Composition at the Conservatoire Royal de musique de Mons/Belgium. She also teaches piano on music academy.
Selected Works: Im Nebel (1994); Amaryllis (1996); Bleu miroir (1998). Piano and Tape: Horloge  à feu (1998); 8 track tape Papillon, Abîme, Nuit (1999)  Tout Autant (2000) ; Sept (2003-04) ; Sempre dolce (2006), Paysage avec miroir, Voix de l’Aroure, Plis de la nuit (2008) ; C’est tel ; Io, Brisures, Cri De Merlin (2013).

Contact: This email address is being protected from spambots. You need JavaScript enabled to view it.